Biography of MANOJ MUNTASHIR The king of words
Manoj Muntashir is an Indian lyricist, poet, and songwriter. He has a collection of beautiful songs in Bollywood like; Galliyan, Tere sang yaara, Teri mitti etc.
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Personal life of Manoj Muntashir:
Manoj Muntashir was born in a brahmin family on Friday, 27 February 1976 (45 yrs old as of 2021). His original name was Manoj Shukla. He was born in Gauriganj, Amethi District, Uttar Pradesh. His zodiac sign is Pisces.
Schooling of Manoj Muntashir :
He studied in his neighboring school and completed 10th in HAL School Korwa in Amethi in 1994. He graduated from Allahabad University with a Bachelor’s Degree in Science.
Height (Approx.): 5’8
Eye Colour: Black
Family & Ethnicity:
His father was a farmer and his mother was a teacher. He is the only son of their parents holding all their love together. He was married to a beautiful lady, Neelam Muntashir. She was a writer.
Early Career and Television:
Muntashir has composed the verses of a few Hindi film tunes including “Galliyan” from Ek Villain, “Tere Sang Yaara” from Rustom, and “Kaun Tujhe” from M.S Dhoni: The Untold Story, and “Dil Mere Na Sune” from the film “Virtuoso”.
He has regularly voiced worries concerning affirmations to melody and content authors. His verses to “Phir Bhi Tumko Chaahunga“(2017), a tune that enrolled multiple million perspectives through informal renditions before its authority discharge,
were initially arranged for his better half in 2001. At the point when he neglected to get affirmation for the melody, he voiced that he didn’t “know why certain individuals can’t acknowledge a deep-rooted reality that lyricists have an equivalent measure of commitment in making a tune fruitful”.
Following a selection for the 2020 Filmfare grant for best verses for the melody ‘Teri Mitti’ from the 2019 film Kesari, he tweeted his mistake when the honor went to another person.
He has composed content for India’s Got Talent and Indian Idol Junior and worked with different specialists including Anu Malik, Amaal Mallik, Himesh Reshammiya, and Sonu Nigam.
Muntashir composed the Hindi exchanges for Baahubali 2, naming the words in Hindi to coordinate with the lip developments which talked in Telugu. Afterward, he was appointed to do likewise for the Hollywood film, Black Panther.
his best dioauge is “औरत पर हाथ डालने वाले की उनगलिया नहीं काट ते, काटते हैं उसका गला।”
Path, course, way, galli, galliyan:
Speaking with regards to his much-cherished tune ‘Galliyan’ He was composing tunes, in any case, yet none of them were hits, nor did he possess energy for films. However,
He used to compose for himself. Like most scholars even Manoj had an OCD for words. “One fine December morning in 2013 I woke up, and went out for a run.
There is a path that associates the fundamental street to where I stay in Goregaon. So I saw there was a stone on one side of the path where the name of the road was engraved, Govindji Shroff Marg. So I recently picked that word, ‘marg’.
While running the word continued playing to me alongside elective words like path, course, way, galli, galliyan. In only 90 seconds the lines came to me and I composed, ‘Yahin doobe commotion simple, yahi hote hai savere, yahi marna aur jeena, yahin mandir aur madina.
Galliyan teri galliyan’, he murmured the tune. He imparted those lines to a lot of his companions, some of them were large arrangers as well. None of them preferred it.
Around 12 PM, Manoj got a call from Ankit Tiwari who resembles a sibling to him, finding out if he can create a melody on those refrains. “I depended on him and consented to it. Ankit takes evening strolls and he created the melody during one his strolls.
The following day he played it to Mohit Suri who was frantically searching for an incredible melody for his film Ek Villain. Who is the way the tune was remembered for the film and afterward the rest is history.“
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Source official Instagram handle of Manoj muntashir
Tune verses or verses tune?
Galliyan was only one tune, however, how does the method involved with composing a tune work for Manoj. At the point when he is composing, it works both ways for him, contingent upon the tune. He shared that if the tune requires part of the reasoning,
It is smarter to compose the ‘mukhda’ first prior to dealing with the tune. “Assuming it is a club track or a party number, I would say it has the right beats, so you get in the right mind-set. You get the synthesis and tune right. In any case, in case it is a heartfelt track,
For my situation, the majority of my tracks are first composed and afterward made. The vast majority of them, be it Kaun Tujhe Yu Pyaar Karega, be it Tere Sang Yaara, Galliyan or all the more as of late, Main Phir Bhi Tumko Chahunga, woh gaane humne pehele likhe hai aur likhke phir form kiye,” Manoj muntashur streamlines.
THANKS, AND REGARDS